Out of my color zone. Forcing myself to deal with more yellows than I normally use. Not finished yet, but I'm not sure which way to go next.
Bob's Burgers show is up at Gallery 1988 in LA if anyone reading this is out there!
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2016 and counting
Molly, my GF, had a great 2015 and topped it off with a successful book launch and tour of her book "Drawing Blood" from Harper Collins... no relation. In her mind she thought she was very difficult to live with this last year as she wrote her book and planned all the details around it to be a success. Truth, she wasn't any harder to live with than any other time! Well I wasn't going to argue as she wanted to treat me to a three day get-away to New Orleans... Come to think of it I guess she was a bitch!... and you made a mess in the studio! Is that worth at least a trip to Pittsburgh? HA!
We spent all three days going from food, to coffee shop, to more food, to a hookah lounge, to roaming all over the Bywater, French Quarter, and the Garden District. This was one of the doodles in my sketchpad at a coffee shop. We had the best time and I would even go so far as saying it was perfect. I love that girl!
I played around with it in Photo Shop a bit. I think it'll make a nice painting eventually.
Sketches and more sketches. I need to hire some models again now that I'm finally discovering the poses I think will work for the images I want to do. I have been using the Canson paper in their multi media sketch pads and they've been holding up pretty well. better than the Moleskine that's for sure.
Gouache study on Canson paper. I treated the gouache more like a water color since I'm not ripping them out of the sketchpad just yet. I thought the paint should stay very thin to keep the paper flexible so the pad can be flipped through. I pushed the full range of values in Photo Shop here. I want to create the perception in these paintings that there is no solid earth to stand on. The tubes and other objects exist with the assumed understanding that they are anchored to something.
This one is still developing. I drew it out on to a panel to paint but now I'm not happy with the image. I may have the model back to do more specific poses for it. Also on this piece I'm going to experiment with putting things in front of the figure to help place it more within the environment.
I'm experimenting with this graphite cake stuff I found at New York Central. It's similar to a cake of watercolor that you can wet with a brush and use on the paper. The graphite works the same way. You can rework it with more water and almost erase it like pencil. I added a little white gouache to it as well. I used a dip pen and Dr Martin matte black ink. The paper starts to bleed a little if you try the ink over the graphite so best to get all the drawing in ink done first!
Sketches of ideas
Trying to advance this world I've loosely created. Or at least explore it. I like the idea of not showing a ground. Most of the figures I use are on steps or some sort of platform. Actual ground is still an ambiguous thing. I like how it gives the feeling that nothing is secure. Kind of a feeling that nothing is permanent. This one sort of hints at the ground.
Working on different pieces
I'm not sure if it's just a mood I'm in or that a lot of the art I've been looking at and liking has been more monochromatic. I'm thinking more in black and white and gray tones with more subtle color lately. Or maybe it's the dreariness of the winter that will not end. Work in progress.
Opening at MF Gallery
213 Bond St.
JUNE 15, 6-10pm
Please look over the Prints page and get them all.
Have a good Easter/Passover or month.
Now is a good time to commission a portrait or purchase some physical art for the winter!
If you'd like to commission me for a painting... Portraits with my surreal aesthetic only. The face you have and my paint brushes! Estimated turnaround 3 months. Shorter will cost more. Contact me now.
Last Rites Gallery 325 W. 38th Street, between 8th & 9th Ave, NYC: (212) 529.0666
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