Two paintings will be going out to Gallery 1988 very soon. I'm sitting on this one for the moment to see if anything else needs resolved that I'm not seeing right now. It's gouache on heavy watercolor paper. There are a few in-jokes. I remember when the X-Files started getting more absurd and humorous at times. One o the surprising episodes was the alien  in the Hawaiian shirt that would talk to Mulder when he would be in a somewhat dreamlike state. Up to that point the aliens had been treated in a realistic manner that was a threat or an unknown thing we should be serious about for many seasons. Then one time this alien appears and I think he's introduced as "Bob" or something. I think it was a reference to an abductee's tale that was making the rounds of the UFO junkies in the mid 90's. I don't know if "UFO Junkie" is the official name of that group. Maybe UFO enthusiasts? Regardless, it made an impression on me when I saw it.

The title of this image is, "It's Yours"... For the moment. I sort of want to reference the idea that most alien abduction stories tend to involve magically winding up on a cold metal table (on a space ship?), aliens with scary medical looking tools bending over them, telekinesis calming their minds as they are afraid over the fact they are paralyzed and confused. Later, they realize they are missing time and the pieces they remember are scary and involved some unwanted surgery or pregnancy.

I was playing on the idea that to them, humans all look the same. Much like we would probably say the same about the aliens. So of course when they operate on humans they might mix up a head or two when putting them back on the body.

I did comics once upon a time. I was a penciller for DC Vertigo. "Animal Man" was my title with a few guest pages in "Doom Patrol". At Marvel I was an inker and finisher for Marvel Comics Presents, Dr. Strange, Savage Sword of Conan, and other pin-ups here and there. I didn't grow up with that goal in mind, but being in New York City, this is what I had the opportunity to do so I did. I learned so much! I worked with many different artists. Some good and some bad but I think I came across some new knowledge from all.

Since then I have become friends with even more comic book artists who inspire me. Of course my good friend Steve Ellis, and Dean Haspiel, and Gregory Benton.
They do more personal comic book work that doesn't always deal with a fight scene. Their themes are more adult oriented and they and the slew of others I don't have the time to write down and link to inspire my desire to tell some stories. 

This is my character "Klunk". He's loosely based on me. Very loosely. Because you are here looking at this and because I have a keyboard connected to my computer in front of me I will share his story with you... or at least an explanation of the character. Klunk appears to wear a gas mask. It is a metaphorical device I use so the reader is able to get past what he looks like and go immediately to what he "feels" like. The viewer never sees Klunk's face. This is my personal challenge. How do I get across the full range of emotions and expressions a faced character can do? I like the idea that although the viewer can't see his whole face but a character in the strip might say something like Klunk you have a piece of tentacle stuck between your teeth" implying that they can see his whole face.

So here is a Klunk story he is barely in. And you can interpret it in several ways, which I like.